Well, I shouldn’t have been worried.
From the moment she opened her mouth, Susan Boyle was a revelation and, as they say, the rest is history. She has the je ne sais quoi lacking in so many of today’s musical performances. Just what might my thoughts be on this je ne sais quoi? Why I’m glad you asked because I’ve been doing some thinking (uh-oh) about Susan’s success. . .
First of all--and don’t hate me for saying it—it was not a perfect performance. The line “when the tigers come at night” was too low for Susan’s vocal range. In fact, I think her vocal range is quite limited. She also didn’t quite have enough breath to sustain “So different now from what it seemed” so she is going to have to work on the breathing.
I don’t think her performance was amazing because it came from an unexpected source either. All this “we were expecting hamburger but got steak so we’re happier than what we expected” business is nonsense. I wouldn’t watch it again and again to relive the “surprise” if that were the case. No, I watch it again and again because I’m handed a pretty damn perfect interpretation of how Fantine really felt: I really felt her pain and anguish. As much as I admire Ruthie Henshall’s voice--or any of the other "divas" who have sung the part I don’t think Fantine would deliver such a perfect, pretty performance at the end of her life. When Susan belted out “So different from this hell I’m living,” I just lost it. Just what kind of hell can Ruthie relate to or make us believe she had been through? I really believed Susan had connected the audience to the composer’s intention far closer than anyone else ever had. Divination at its finest. It's the feeling she puts into the performance--and that can't be taught, coached or paid for. Susan Boyle has proven to our disbelieving eyes that quality doesn't depend on the packaging. For this reason, Susan Boyle just may be the saviour of the modern world.
Do I think Susan can be a Broadway star? To be honest, I’d hate to see her wasted that way. I think if she’s trained like a monkey, she’ll deliver performances exactly like all the other singing monkeys on Broadway. She’ll lose the edge she has and she will never equal what she did the other week. I hope she does do a record before she starts up with the “professional” singing lessons.
Do I think she’ll win Britain’s Got Talent? Well, there is a chance the Susan Boyle hype will continue but it’s going to be quite a lot to sustain in order to win what amounts to a popularity contest. I couldn’t care less if she won a stupid contest—I just want her to keep on singing. And don’t go changing. . .